1. Extrêmement rapide (extremely fast)
0:01
2. Lent (slow) 6:04
3. Modéré, presque vif (moderate, almost lively) 17:09
4. Vif (lively) 19:23
In the sonata's four movements, you hear the music tearing at the seams of classical and serial structure, as the 23-year-old Boulez tries to find a language that will exorcise the ghosts of classical music, from Bach to Schoenberg. Like all exorcisms, this one is defined by physical paroxysms and emotional extremes: the blasted soundscape of the start of the slow second movement, the exploded, eruptive sonata form of the first movement, or the fucked-up fugue of the final movement..... The ambiguous, desolate coda sounds like a lament, not just in terms of the trajectory of the piece, but also for the possibility of musical discourse in post-war Europe. (Adapted from Tom Service)
2. Lent (slow) 6:04
3. Modéré, presque vif (moderate, almost lively) 17:09
4. Vif (lively) 19:23
In the sonata's four movements, you hear the music tearing at the seams of classical and serial structure, as the 23-year-old Boulez tries to find a language that will exorcise the ghosts of classical music, from Bach to Schoenberg. Like all exorcisms, this one is defined by physical paroxysms and emotional extremes: the blasted soundscape of the start of the slow second movement, the exploded, eruptive sonata form of the first movement, or the fucked-up fugue of the final movement..... The ambiguous, desolate coda sounds like a lament, not just in terms of the trajectory of the piece, but also for the possibility of musical discourse in post-war Europe. (Adapted from Tom Service)
Pierre Boulez: Piano Sonata No. 2 (1948) video phone beyonce mp3 | |
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Music Piano Sonata No.2: 2. Lent | Upload TimePublished on 10 Sep 2019 |
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