"In truth, “Oresteia” is less an opera than a hybrid oratorio and ballet. The choruses convey much of the drama in a highly stylized, changeable language that at first has the rhythmic and melodic character of church chant and later takes on a freer, more idiosyncratic accent that, combined with the text in ancient Greek, conveys a modernist’s vision of a starkly elemental, nuance-averse ancient ritual." (New York Times)
Iannis Xenakis – Oresteïa (1966) camera iphone 8 plus apk 26 Likes 26 Dislikes 332 views views 2.53K followers Music Oresteïa: No. 1, Agamemnon Oresteïa: No. 3, Agamemnon Oresteïa: No. 5, Les Euménides Upload TimePublished on 17 Sep 2019
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"In truth, “Oresteia” is less an opera than a hybrid oratorio and ballet. The choruses convey much of the drama in a highly stylized, changeable language that at first has the rhythmic and melodic character of church chant and later takes on a freer, more idiosyncratic accent that, combined with the text in ancient Greek, conveys a modernist’s vision of a starkly elemental, nuance-averse ancient ritual." (New York Times)
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